Audience Feedback, 8/27/08
Your performance piece was amazing, and was so poignant - I was touched in ways I can't even put into words - I saw the show on Friday August 15th, and again last Thursday August 21st. I came with friends and with my partner. I'm sure you hear praise constantly but this goes so far beyond that.
I don't identify as trans necessarily, but i feel butch isn't the right word........I guess genderqueer aptly describes where I am right now....and I don't feel a lot of understanding from friends and community right now - my lesbian friends think I am unjustly denying "female" and "feminine" and just see boobs and a "pretty" face and wonder what the hell is up with me.......I have been very torn apart and emotional and I want you to know that your performance has made me see hope and truth and has opened a dialogue for me and several friends I was with. It has allowed me to talk about feelings I have and I feel better than I have in months, and I just wanted you to know..........and for some reason your karoke anthem has always been my own........i cried during that part of your show both for song choice and your passage that scrolled on the screen behind it - it was like seeing my part of myself on paper in front of me.
ps......the gender decoder ring is genius........and it made me feel that its okay to have all those things inside - i have stories from so many sides
Thank you!
Labels: audience, feedback
Audience Feedback, 8/26/08
i was so touched by your performance.
there was a strong connection for me in watching it...... seeing that is was sooo very real.
not that i thought it wouldn't be , or that of it was made up. you are so very brave. i wanted to hug you, but when i shook you hand, i couldn't even talk because i wanted to cry. not from being sad, but just feeling like i wasn't alone.
it hit me very hard, because i've kinda been struggling for the past year with my identity, and all the labels there are to choose from. i don't want to have to choose, or have to explain myself and who i am to anybody.i am trans.but i always felt like i had to look a certain way.....to actually be able to use that, for people to understand me in this community.
but its me.its who i am. and i accept it.
it made so much sense....made me so comfortable to watch you and hear you......i cried during your show. and i felt like the audience...maybe took some of things that you talked about differently than i did. i just understood it. i understood you.
and i understood myself better than i have in recent months.
i can't wait to read your book, to read all of your stories.....because some of them are mine too, you know?
Labels: audience, feedback
Atlanta Journal-Constitution Review
‘Becoming a Man in 127 Easy Steps’ at 7 Stages
By Wendell Brock | Tuesday, August 19, 2008, 02:41 PM
The Atlanta Journal-Constitution
THEATER REVIEW. Grade: A-
As a camp counselor in Costa Rica a few years ago, Scott Turner Schofield suffered a serious blow to the head that required a detailed medical examination and extended hospital stay. When his doctor realized the athletic young man had the body of a woman, he thought the kid was just confused.
“Son, you have a terrible brain injury,” the doctor said sternly.
After having a heart-to-heart conversation with another doctor about his quest for a sex change, Schofield was informed that Costa Rica is the cosmetic-surgery capital of Latin America. And the surgeon offered to remove his breasts on the spot.
In his autobiographical solo performance piece, “Becoming a Man in 127 Easy Steps,” the Atlanta-based artist describes the comic absurdity, social stigma, emotional imperilment and sheer-naked vulnerability of the transgendered life.
Suggesting an image of physical rebirth, the show begins with Schofield emerging from a cocoon of billowing fabric suspended from the ceiling. After a precarious aerial ballet, he bounds to the floor like some newly minted Peter Pan and describes the messy medical details of getting a sex change. In a metaphorical gesture that signifies the total soul-baring to come, he disrobes completely and tapes a sign to the set that says: “No secrets allowed.”
By turns fiercely comic, brutally honest and deeply moving, the 7 Stages show is beautifully written, choreographed and performed. Like some sexually ambiguous Scheherazade, Schofield unspools the action as a series of stories chosen willy-nilly by the audience from a list of numbers assigned to various words (“queer,” “straight,” “butch,” “femme” and so forth). Directed by Steve Bailey, the intermissionless 75-minute pieces feels so artfully balanced and delicately nuanced that it makes you wonder if Schofield really has 127 stories in his repertoire or is just pretending.
From the little girl forced to wear a Minnie Mouse costume when she really wanted to be Mickey to the young man standing in front of a Texas judge begging to have his sexual designation legally changed, from the complicated family relationships to the three suicide attempts, “Becoming a Man” is raw, urgent and honest. Much to his credit, Schofield comes across more as a loveable neighborhood kid bursting with energy and insight than an agenda-waving political zealot.
With great humor and pathos, he describes his alienation from his biological father, relates his adventures as a baby-sitter and describes his close calls with Atlanta cops and skinny-dipping European males. During the performance, he sings “Like a Bird on a Wire” while tethered to a swinging rope, and has a live telephone conversation with his stepfather.
In a democracy that boasts great freedom of expression, transgenderism may be the final frontier of sexual politics. Going from male to female can’t be an easy process, and this 27-year-old artist never pretends that is. Schofield — winner of an off-Broadway Fruitie Award and a prestigious Princess Grace Foundation acting fellowship —says the titular number 127 is part of his Social Security number, and jokes that he wants someone to steal his identity.
As it turns out, the man born as Katie Lauren Kilborn has sculpted a personality so unique that it would be virtually impossible to replicate.
THE 411: 8 p.m. Thursday-Saturday. 5 p.m. Sunday. Through Sunday. 7 Stages. 1105 Euclid Ave., Little Five Points. 404-523-7647, 7stages.org. (Note: Features adult material and full-frontal nudity.)
Bottom line: One of the year’s most essential theater experiences.
